Gossip is a pretty primitive form of personal knowledge. At least, if one were to use the history of literacy as an analogy—and if one were to take a generically progressive view of history (which I currently will, as long as it serves my purposes)—then gossip is perhaps a medieval mode of understanding another person. In the optimal cases some kind of genuine knowledge, approaching mastery of the subject, has come passed down to new apprentices of the person in question, so that whatever was original and firsthand has become layered with many and sometimes untraceable adulterations. Scribal errors are inevitable. Indeed, at its worst, gossip is a verbal means of making someone handle-able, so that the person no-longer-in-question can be passed around and manipulated (notice the handy mani– in there) whatever way the gossips please.
Even at its most innocuous, gossip invariably leads to misunderstanding and therefore iniquity. This sounds like a judgmental statement—the kind of pronouncement found in any puritan code of conduct (see The Snake in the Grass, or Understanding the Satan in YOU, being a treatise on human suckiness and pursuant of at least something approaching God’s gracious indifference)—but think about it: any talk about someone will fall short of its subject, even if it comes from the subject him- or herself, and any brief talk will only fall shorter. Since gossip usually happens in those little corners and closets of time in the midst of daily life, I think it’s safe to say the arrow falls very close to our feet.
Oftentimes, in my experience, gossip leads to the making of monsters. I use the term in the more original, less sensational sense, meaning “an imaginary creature that is typically large, ugly, and frightening.” Whenever I have overheard or participated in gossip, the persons of skewed interest become strange creatures indeed: beastly humans with elephantine flaws, alien habits, and devilish tempers. It’s an act of taking someone’s situational action (or reaction) as his or her permanent trait—and, at least within the confines of the conversation, his or her defining characteristic. It glosses over or plainly ignores the circumstantial nuances surrounding that person; it flattens the greater depth of him or her with a gargoyled appearance.